Monday
Sep192011

An author by any other name ...

Last night, I finished Carmela Ciuraru's Nom de Plume: A (Secret) History of Pseudonyms. A cool topic, and interesting to consider in an age where some are calling for more transparency and less anonymity on the Internet.

I read novels most of the time, and this was a good reminder of all the cool STUFF that nonfiction can teach you. I mean, did you know:

  • Lewis Carroll (or Charles Dodgson) was an early proponent of the standing desk ("He wrote most of his books, include Alice, while standing up," according to Ciuraru, and supposedly could stand at his desk for 10 hours a day). Carroll also had strange tea rituals -- he steeped it for exactly 10 minutes, and paced, swinging the teapot, for those 10 minutes -- and walked, sometimes as much as 20 miles a day, to solve problems or reflect on life (though it's anyone's guess as to why he made notes about his feet and how they held up post-walk).
  • Georges Simenon, what a whacko! Ciuraru notes, "He owned a gold watch that a reporter described as 'the size and shape of a brioche.'" [yum!] "This was a man as intoxicated by himself as others are by fine wine ... On the advice of his doctor, he restricted himself to two bottles of red Bordeaux daily. (He did got through periods of renouncing alcohol for Coca-Cola.) One friend recalled a common sight: Simenon throwing up a bottle's worth of cognac in the garden, 'two fingers down his throat, after he finished a chapter.'" (Drunkenness, many a writer's friend/foe.) Also? "... he weighed himself before and after completing each new book, so as to measure how much sweat the project had cost him."
  • Patricia Highsmith, who wrote Strangers on a Train, was altogether unpleasant, but had a strange affection for snails: "Her fondness for snails was such that she kept three hundred of them in her garden in Suffolk and insisted on traveling with them. When she moved to France in 1967, she smuggled snails into the country by hiding them under her breasts -- and she made several trips back and forth to smuggle them all."

Read it. The Bronte bits and the Mark Twain chapter felt somewhat familiar, but now I'm raring to read some Henry Greene (Henry Yorke) and learn more about the sad end of James Tiptree, Jr. (Alice Sheldon).

Sunday
Sep182011

Makers gonna make: Around the Faire

The Maker Faire was undeniably awesome; at each new booth, in every tent, was a wonder that outshined the last. Do I spend my time in the steampunk area, or hang out in the lockpicking lab? Catch the Coke Zero and Mentos show, or ogle the art cars? A few more delights that we happened upon:

 

Sunday
Sep182011

A leg up

One tent at the Maker Faire was devoted to health technology and related advances. The Jaipur foot is a reminder that solutions needn't be complicated or expensive; the prostheses, which costs around $30, was developed in India in the late 1960s to help those who had lost limbs from landmine blasts.

Saturday
Sep172011

Stitch in time

Another highlight of the Maker Faire was P.Nosa's embroidered tableaux. He "draws" scenes on fabric using his sewing machine, which is powered by a solar panel or a bike electrical generator. At his booth, you can whisper five words to him, and he'll stitch up the scene; you can buy it, or it can just become part of his book.

Saturday
Sep172011

Stop the presses

We stopped by World Maker Faire 2011 today; one of my favorite booths was by The Museum of Interesting Things. This is one of their "things" -- an old printer's plate. Now that's hawt type.

 

Wednesday
Sep142011

Bye, bear

The Urs Fischer teddy bear installation ("Untitled (Lamp/Bear)") on Park Avenue started coming down yesterday. Between that and the dismantling of Jaume Plensa's "Echo" in Madison Square Park, I'm a little bummed -- and can only hope some great new large-scale sculpture will debut soon!

Monday
Sep122011

On the street: sunk

The balloons, they sag. On 36th Avenue, near Cafe Triskell.

Sunday
Sep112011

Oh, heavens!

At the Salvation Army in Astoria a few weeks ago, while browsing the shelves of books, I came across Heaven to Betsy by Maud Hart Lovelace. And I nearly dropped the other three books I was carrying; I snatched the lovely old copy (from 1945) greedily, like my 7-year-old self, thrilled at the idea of getting reacquainted with Betsy and Tacy (and don't forget Tib, though she figured only as a pen pal at this point in the series).

For those of you who didn't grow up reading the Betsy-Tacy books, a bit about the author: Maud Hart Lovelace was born in 1892 in Minnesota, and she spent her formative years there. From the jacket copy:

From 1906 to 1910 Maud Hart went to high school in Mankato, Minnesota, and had, she says, a very good time, which she recorded in four diaries, one for each high school year. The diarist went on to the University of Minnesota, traveled a bit, wrote a few stories, and married Delos W. Lovelace, then deep in the First World War. Mrs. Lovelace too wrote some historical novels, including the popular Early Candlelight. Then the Lovelaces came east, had a daughter named Merian, and settled down in Garden City, Long Island, where Mrs. Lovelace began to write the Betsy-Tacy stories, and Mr. Lovelace became a newspaperman.

The books I remember best were about Betsy, Tacy, and Tib in grade school; Heaven to Betsy regales the reader with stories from their freshman year of high school, modeled on the turn-of-the-century Minnesota small town Maud herself recalled so fondly.

I was nervous that upon rereading the stories would not hold up -- that, rather than giddily enjoying the characters I had grown up loving, I would be dismayed at provincialism or outdated views of gender, etc., etc. But I should have had more faith; the book was refreshing and realistic and quite a pleasure. A few of the more winning moments:

  • In Chapter 11, "Sunday Night Lunch," Lovelace describes how Mr. Ray, Betsy's father, commandeered the kitchen and made grand meals for his daughters and their friends. Then something very strange is described: "First he put the coffee on. He made it with egg, crushing shell and all into the pot, mixing it with plenty of coffee and filling the pot with cold water. He put this to simmer and while it came to a boil, slowly filling the kitchen with delicious coffee fragrance, he made the sandwiches." Now, in Oregon, we pride ourselves on knowing how to make a cup. But egg, shell and all, in your coffee? Never seen it before. Have others? Is this normal? It is practically inevitable that one cool winter evening I will experiment and report back.
  • Since we're on the subject of food, let's talk about onion sandwiches. "If nothing else was available [Mr. Ray] made his sandwiches of onions. He used slices of mild Bermuda onions, sprinkled with vinegar and dusted with pepper and salt. About the use of pepper and salt Mr. Ray had very positive ideas. He used his condiment with the care and precision of a gourmet. Not too much! Not too little!" These were his most popular offering, which perhaps suggests that his Sunday lunches weren't worth all the raves. But I do like onions. Maybe Betty Crocker has nothing on Betsy and crew.
  • Everyone is drinking cocoa, all the time, and simple writing suffices. Instead of a long, tiresome conversation about small-town Minnesota football politics, there are a few lines of dialogue, then the following: "Everyone was indignant, and the cocoa tasted very good." Small outrages, quiet resolutions.
  • In Chapter 14, "Halloween," Betsy is thinking about a boy she likes, but she also begins to reflect on what she really wants out of life. "She had been almost appalled, when she started going around with Carney and Bonnie, to discover how fixed and definite their ideas of marriage were. They both had cedar hope chests and took pleasure in embroidering their initials on towels to lay away. Each one had picked out a silver pattern and they were planning to give each other spoons in these patterns for Christmases and birthdays. When Betsy and Tacy and Tib talked about their future they planned to be writers, dancers, circus acrobats."
  • In Chapter 23, "The Talk With Mr. Ray," Betsy and her sister Julia plan to approach their father to explain that they want to convert from Baptists to Episcopalians (gasp!). They're nervous, and when they tell him, he ribs them a little. Betsy replies, "Don't joke. Julia and I know that you'll feel terrible. In the first place it will be so embarrassing to you; ... [people will] criticize you, and we can't stand the thought of that." Instead of this becoming a big, dramatic scene, we get to see Mr. Ray respond to his daughters with a little common sense: "Let me set you right on one thing first of all ... we aren't going to decide this on the basis of what people will say. You might as well learn right now, you two, that the poorest guide you can have in life is what people will say." And then there's a lot of religion talk, which ends with Mr. Ray's thoughtful response: "The most important part of religion isn't in any church. It's down in your own heart. Religion is in your thoughts, and in the way you act from day to day, in the way you treat other people. It's honesty, and unselfishness, and kindness. Especially kindness."
  • Some of the most dramatic action revolves around Betsy winning an essay contest Rhetoricals with a rollicking tale from the Puget Sound. Ultimate young-writer moment of victory, and it's how she gets over a heartbreak -- resilience and fulfillment from what you do, not what boy likes you! Very cool.
  • "Puny" is used frequently -- not in a derogatory way, but as the ultimate compliment. ("Why, lovey! How puny you look! Aren't those McCloskeys the puniest folks?")
  • Moustache cups.

I fear, indeed, that this will be the fall of revisiting more of the tales of my good old friends -- or even branching out into Lovelace's other works, of historical fiction, of tertiary characters later in life. The Maud Hart Lovelace Society has tons of great information about the author and her work; reissued paperbacks have recently come out, and you can even get a related songbook, if you're so inclined. For the particularly passionate, consider a trek to Minnesota for the National Betsy-Tacy Convention in July 2012. (Thanks for the heads up, Kathleen!)

(The illustration above, from my used copy, is by Vera Neville.)

Monday
Sep052011

Art on Governors Island

Monday
Sep052011

Order and disorder

It was hard to pry myself away from this Megan Suttles installation at the Governors Island Art Fair. Little pieces of a translucent material (shards of glass? bits of hardened plastic?) were strung on fishing line that extended between two walls of an apartment in one of the island's old residences. The sculpture felt kinetic, explosive -- but the material was quiet, reflective, almost not there, and the way it captured light tranlsated something that might otherwise have been overwhelming and chaotic into a moment of contained poetry.

From Suttles' artist's statement on her Web site:

Every now and then I find myself in these situations where it is very difficult to control the way I see, touch, smell, talk, breathe, everything. My vision becomes blurry, the world spins. It happens randomly, triggered by seemingly mundane occurrences: sound, wind, large crowds, solitude. Over the years I have learned to conceal these episodes by constructing a container. Through various breathing techniques and concentration, I am able to contain the chaos to the point where it becomes invisible.  My work has become focused on revealing this chaos; making the invisible visible again. ... Through this work I have been exploring the eternal struggle between restraint and disorder: the way we tend to conceal our inner confusion with the outward appearance of refinement and perfection.